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Svendsen, Lars A Philosophy of Boredom. Translated by John Irons. Distributed for Reaktion Books. 192 p. 4_3/4 x 8 2004 Paper NSA $24.95sp ISBN: 978-1-86189-217-1 (ISBN-10: 1-86189-217-9) Spring 2005 Lars Svendsen brings together observations from philosophy, literature, psychology, theology, and popular culture, examining boredom's pre-Romantic manifestations in medieval torpor, philosophical musings on boredom from Pascal to Nietzsche, and modern explorations into alienation and transgression by twentieth-century artists from Beckett to Warhol. A witty and entertaining account of our dullest moments and most maddening days, A Philosophy of Boredom will appeal to anyone curious to know what lies beneath the overwhelming inertia of inactivity. TABLE OF CONTENTS PrefaceOne: The Problem of Boredom —Boredom as a Philosophical Problem —Boredom and Modernity —Boredom and Meaning —Boredom, Work and Leisure —Boredom and Death —Typologies of Boredom —Boredom and Novelty Two: Stories of Boredom —Acedia: Pre-modern Boredom —From Pascal to Nietzsche —Romantic Boredom, form William Lovell to American Psycho —On Boredom, Body, Technology and Transgression: Crash —Samuel Beckett and the Impossibility of Personal Meaning —Andy Warhol: Renouncing Personal Meaning Three: The Phenomenology of Boredom —On Attunement —Ontology: The Hermeneutics of Boredom Four: The Ethics of Boredom —What is an I? —Boredom and Human History —The Experience of Boredom —Boredom and Maturity Postscript References Subjects:
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